‘Gone With the Wind’ returns to HBO Max with prologue about racist content material

‘Gone With the Wind’ returns to HBO Max with prologue about racist content

“Gone With the Wind” is no lengthier long gone from HBO Max, obtaining been restored to the streaming service’s library with a new prologue about the film’s problematic themes and depictionof the antebellum South.

Jacqueline Stewart, host of TCM’s “Silent Sunday Nights” and a professor in the Department of Cinema and Media Studies at the University of Chicago, sales opportunities the 4 ½-minute intro, which commences off with a normal cinematic lesson — recounting the eight Academy Awards (together with for Most effective Photo) received in 1939 by the “highly anticipated” adaptation of Margaret Mitchell’s novel, as very well as its inflation-altered standing as the highest-grossing movie of all time.

Then, Stewart acknowledges that the movie “was not universally praised,” looking at as it “paints the photograph of the antebellum South as a ‘romantic, idyllic setting that is tragically been misplaced to the past.’”

Stewart notes how producer David O. Selznick certain the NAACP at the time that he was “sensitive to the thoughts of minority peoples,” still proceeded to produce a movie that depicts a “world of grace and natural beauty, without having acknowledging the brutalities of the method of chattel slavery upon which this environment is based mostly.” Stewart says that “the remedy of this environment through the lens of nostalgia denies the horrors of slavery as nicely its legacies of racial inequality.”

Stewart concedes that while observing “Gone With the Wind” “can be not comfortable, even unpleasant,” “it is essential that basic Hollywood films are out there to us in their unique form” to “invite viewers to reflect on their individual beliefs when viewing them now.”

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“’Gone With the Wind,’ with its landmark manufacturing values, signature scenes and legendary figures has formed the way generations have pictured slavery and the reconstruction interval that followed,” she suggests in conclusion. “It is not only a major document of Hollywood’s racist tactics of the previous, but also an enduring operate of common lifestyle that speaks instantly to the racial inequalities that persist in media and culture today.”

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About the Author: Mortimer Nelson

Evil tv buff. Troublemaker. Coffee practitioner. Unapologetic problem solver. Bacon ninja. Thinker. Professional food enthusiast.

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